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There has been much discussion raised about "Why are women leaving Architecture? and more broadly, Why is the profession losing key talent?"  Both women and men practitioners are disillusioned by the myth of work/life balance: Women are grappling with "have it all" expectations of juggling family time with the demands of full-time work.  Men are struggling to support their families solely on an architect's salary and fall back on asking spouses to maintain their jobs. The lack of affordable childcare and high cost of living only magnifies the challenges.  How did we end up in this modern family dilemma? What can we do to improve the situation?

Which Craft?

By Rosa Sheng, AIA, LEED AP BD+C

This post is a contribution to a group series called #ArchiTalks in which Bob Borson "Life of an Architect" gives a theme or a set of questions and we participate with a blog response… this month’s theme: "Crafty". When Bob sent out the email for this topic, I'll have to admit the theme "Crafty" threw me for a serious loop.  My preconceived notions of "Crafty" had so many competing definitions and interests. So for the sake of my own bias and writer's block, I abbreviated "Crafty" to just plain "Craft". 

The act of deciding which "Craft" to write about was still difficult; but it did create a fun play on words for this blog title; Which Craft? In the previous Architalks #5 A few of my favorite things, an entire section was dedicated to the topic of "making things"; Real food, play food in the form of felt dim sum, custom knit creations, fashionable bags out of remnants and watercolor sketches.  So now what?

 I typed "Craft" into the Google search, which resulted on the following:

  1. An activity involving skill in making things by hand.
  2. Skill in carrying out one's work. "a player with plenty of craft"

An then a moment of clarity. 

"Craft" in the context of being an architect has new potential for innovation.  Over the centuries, an architect's skills and expertise have transformed from the direct "hands on" making or actual construction (Skill in making things by hand) into a less tactile relationship with the end result. The "Craft" of an architect as designer, coordinator, and manager has become removed from the actual process of making buildings and, given the advancement of technology, has evolved to design and communication of construction knowledge (Skill in carrying out one's work). Born from this challenge is the opportunity for innovation. How do we as architects reconnect to our roots as makers and communicators in the Information Age within the context of the Digital Revolution and the rapid rate of development? How do we reconnect with the culture of craft in a real and tangible way beyond the rhetoric?

Codex Atlanticus by Leonardo da Vinci

Codex Atlanticus by Leonardo da Vinci

In terms of the Craft discussion as it relates to Equity in Architecture, there are many ways evolving technology can help reconnect architects as makers while also providing new ways to share knowledge that will advance and integrate design and building construction to benefit the greater good. We have discussed the concept of expanding the reach of the profession "Architecture And" as a way to explore new areas of expertise and service offerings; thinking outside the proverbial box.  

A private company in Shanghai used 3D printers to print 10 full-sized houses in just one day.

A great example is the evolution of 3-D Printing. The technology has advanced to the point that full scale 3-D printers used to fabricate materials in the construction industry seem inevitable. These new ways to reconnect to the craft of building has the potential to make architecture and the design process more accessible to the public.  According to Architect's Newspaper, WinSun Decoration Design Engineering Co. is behind the series of humble buildings, a fully fabricated unit is expected to cost less than $5,000. The homes were created through the use of a 490- by 33- by 20-foot 3-D printer that fabricates the basic components required for assembly. The accessibility of smaller 3-D printers for use in architecture firms, could allow architects to design and prototype new construction components in a cost effective way prior to fabricating the full scale versions out in the field. 

There are many other emerging technologies in development that deserve more discussion about their influence in shaping the future "craft" and role of architects into the 21st Century. Thus, I have compiled the following curated list of articles and resources to be covered in a blog post in the not so distant future. Which craft appeals to you to explore further to advance our profession?

 

EQxD Hackathon: Crafting the Future of Architecture

Interested in innovating architecture and professional practice? Come join us at AIA National Convention on Wednesday, May 13th for (WE310) EQxD Hackathon 1-5pm where we will use design, technology and creativity to disrupt modes of practice that currently prevent us from reaching our full potential. The event will include a Happy Hour with Jury results and awards!

 

Since I launched this post for Architalks, a fellow architect on Linked in shared an AIA National video on The Culture of Craft, a deep discussion with 5 architects about what craft means to each individual. Worth a look if you have the time! 



Interested in more discussion about the Architalks topic "Craft(y)"?

Follow the links below for different takes on Craft(y) from other architects: 

Bob Borson – Life of An Architect
@bobborson
Architects are Crafty

Matthew Stanfield – FiELD9: architecture
@FiELD9arch
On the Craft of Drafting: A Lament

Marica McKeel – Studio MM
@ArchitectMM
Why I Love My Craft: Residential Architecture

Jeff Echols – Architect Of The Internet
@Jeff_Echols
Master Your Craft – A Tale of Architecture and Beer

Lee Calisti, AIA – Think Architect
@LeeCalisti
panel craft 

Lora Teagarden – L² Design, LLC
@L2DesignLLC
Oh, you crafty!

Michele Grace Hottel – Michele Grace Hottel, Architect
@mghottel
krafte

Meghana Joshi – IRA Consultants, LLC
@MeghanaIRA
Crafty-in Architecture as a Craft

Stephen Ramos – BUILDINGS ARE COOL
@sramos_BAC
Ghost Lab

Brian Paletz – The Emerging Architect
@bpaletz
Underhanded Evil Schemes

Jonathan Brown – Proto-Architecture
@mondo_tiki_man
Crafty

Eric Wittman – intern[life]
@rico_w
http://ercwttmn.blogspot.com/2015/03/arts-and-crafty.html

Tara Imani - Indigo Architect
@Parthenon1

http://www.indigoarchitect.com/2015/03/30/crafting-a-twitter-sabbatical/

Mike Riscica
@YoungArchitxPDX
http://youngarchitect.com/2015/03/30/a-crafty-architecture-round-up-architalks/

 

Inspirations from Matrices: 2GA in Lisbon, Portugal 3/18-3/20

by Rosa T. Sheng, AIA

MatricesPoster.jpg

Last week, I attended Matrices: The 2nd International Congress on Architecture and Gender at the Universidade Lusofona in Lisbon, Portugal to present The Missing 32% Project: Equity in Architecture Survey findings to an International audience of academics, practitioners and students. The theme Matrices has several definitions and they are all inclusive by nature. Matrices are environments where things develop, the models or patterns that shape formations, and they can also reinvent an environment. These images are suited to address the current patterns of change regarding architecture and gender. We found the conference theme to be concurrent with the mission and activism associated with Equity by Design.

The 3 day Conference featured presentations that provided a broad forum for discourse on the history and current state of practice for women in architecture around the world by architects, philosophers, historians from Portugal, Spain, Saudi Arabia, the United Kingdom, Brazil, Switzerland, Germany, Canada, Italy, Turkey, Sweden, Costa Rica and the United States. 

The content of each presentation was energizing, provocative and ranging in a broad spectrum of topics; Works and achievements of architects Lina Bo Bardi, Ray Eames, Eileen Gray; Niche feminist activism by a Chicago group called CARYATIDS; Cinematic influences on the image of Architects, The unique tension surrounding Iranian Women's Parks, recruiting and teaching architecture to Saudi Arabian women and a call to action for forming a Matrices network of research, best practices, and dialogue.

The opening keynote speaker was Spanish Architect Ariadna Cantis, whose business model expands beyond traditional practice and parallels current discussion of "Architecture And" conversations; expanding the design reach of our profession into communications, graphics, user experience, metrics, and social media. 

Martha Thorne, Executive Director of The Pritzer Prize was also present as a participant on a featured roundtable discussion on Matrices, the theme of the conference. She spoke of the need to focus on 3 key areas for continuing the movement for women in architecture. Creation of Alliances, leveraging Technology, and raising a call to Action would be critical to making an impact for the representation and recognition of women in architecture going forward.

Jane Rendell

Jane Rendell

Jane Rendell was the closing Keynote presenter who spoke of her newest work in publication "Site Writings" which continues to explore new interdisciplinary concepts and processes such as ‘critical spatial practice’. Ms. Rendell, a professor at Bartlett School of Architecture at University College of London, is also a writer, art critic and architectural historian/theorist/designer, whose work explores interdisciplinary intersections between architecture, art, feminism and psychoanalysis. 

Each day's summary is available below via Storify.

Matrices 2GA: Day 1 Summary, 3/18

Matrices 2GA: Day 2 Summary, 3/19

Matrices 2GA: Day 3 Summary, 3/20

Conference sessions were complimented by 2 nearby museum exhibits featuring the Varina, an iconic Portuguese Fisherwoman, representing strength and resolve of spirited women in Lisbon's rich history. The spirit of the Varina is evident in her proud posture which reminded me of Denise Scott Brown's widely known pose in Las Vegas. Similarly, Varina is alive in the leadership of our gracious hosts of the conference, Patricia Santos Pedrosa, Maria Joao Matos, and Eliana Sousa Santos and their colleagues at LABART Lusofona who ambitiously sought to continue a much needed conversation on architecture and gender in an international forum.

 

 

 

(WE310) Equity by Design Hackathon @AIA National Convention Atlanta!

Equity in Architecture is a call to action for both women and men to realize the goal of equitable practice in order to attract and retain talent, advance and sustain the profession, and communicate the value of architectural design to society. This event is open to everyone and has relevant learning objectives for all Architects.

Join us on 5/13 1pm-5pm for the most energizing half-day workshop inspired by the sold-out 2014 symposium, Equity by Design: Knowledge, Discussion, Action! We will begin the day by reviewing a full report of key findings from the 2014 Equity in Architecture Survey topics: Hiring and Retention, Growth and Development, Meaning and Influence, followed by interactive conversations about the pinch points that affect talent retention in Architecture. 

Agenda.png

Hackathon! The second part of the afternoon will feature the first AIA Convention "mini-Hackathon". What is a Hackathon? Very similar in format to a design charrette, using this rapid prototyping format will leverage your Design Thinking skills to propose actionable initiatives and best practices for talent recruitment, career advancement, and building the business case for equity. This video by Daylight via Vimeo demonstrates the process.

Finally, you and your group will present a 5 minute "pitch" of your proposed equity initiative to a panel of judges. Pitches will be rated with final equity initiatives being featured in blog posts and social media. Sign up for WE310 Equity by Design as pre-convention during Convention Registration. Ask your firm or local AIA Chapter to sponsor your attendance and bring back this valuable knowledge to affect change! 

HAPPY HOUR and JURY RESULTS at STUDIO No. 7. 

Following the workshop, Hackathon workshop participants will be invited to a complimentary Happy Hour 5:30pm-7:30pm at Studio No. 7 for Jury deliberations and Awards. If you can't make the WE310 Workshop, we will have registration to attend Happy Hour event so that you can catch up on the highlights of the Hackathon! Proceeds beyond costs of the event go to funding the 2016 Equity in Architecture Survey.

Studio No. 7 - 393 Marietta Street N.W. Atlanta, GA 30313

Happy Hour (only) registration includes networking, a recap of the EQxD Hackathon, Jury results and award announcements accompanied by an assortment of wines and appetizers inspired by Latin American and Asian cuisine that is seasonal and prepared with craft and care. If you register with AIA for the WE310 5/13 workshop, then Happy Hour is included.