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There has been much discussion raised about "Why are women leaving Architecture? and more broadly, Why is the profession losing key talent?"  Both women and men practitioners are disillusioned by the myth of work/life balance: Women are grappling with "have it all" expectations of juggling family time with the demands of full-time work.  Men are struggling to support their families solely on an architect's salary and fall back on asking spouses to maintain their jobs. The lack of affordable childcare and high cost of living only magnifies the challenges.  How did we end up in this modern family dilemma? What can we do to improve the situation?

I’ve seen glimpses of the future….and I can’t wait to see it arrive!

By Renée Cheng, FAIA, Professor and Director of the MS in Research Practices, University of Minnesota

Imagine a building industry that is lean, efficient and widely recognized for its valuable contributions to society. This industry would use research to identify and build upon best practices to create a more effective built environment. In this ideal future, leaders are diverse, so the industry reaps the benefit of creativity and innovation that comes from diversity while also reflecting the demographics of the communities it serves. This future will only be possible if we establish a vibrant culture of research and increase the number of women and people of color leading the industry. Over time, a long time, global population change may address the demographic issue, but we prefer not to wait.

At the University of Minnesota, we have developed the only program in the country that combines research, leadership and professional  licensure. Students conduct research projects that connect faculty and firm leaders, and along the way architecture students earn their license before graduating,shortening the time to license after graduation with a professional degree from an average of 7.6 years to 1 year. The Masters of Science in Architecture with a concentration in Research Practices (MSRP) is a three semester program that provides graduates of B. Arch and M. Arch programs with a structured path to licensure. The MSRP program has created the Consortium for Research practices, a group of AEC firms dedicated to pursuing new research and ideas. In addition to coursework on research methods and analysis, students within the program spend 25 hours a week working with a host firm from within the consortium and a faculty mentor to tackle a research topic, and the research is then shared with the entire consortium. Since the research is practice-based, the hours meet AXP requirements. Students’ AXP progress is complemented with coursework covering topics related to the ARE exams and students complete all exams during the academic program.

After four years of running the MSRP, we realised its greatest value to the profession is not licensure. The program’s largest impact is how it identifies future leaders and gives them opportunities to succeed. Students contribute to their firms by addressing emerging areas that are typically unexplored in traditional practice. Anecdotally, we have heard that our graduates receive responsibilities typically given to those who graduated five years before them. This suggests that, if a typical trajectory brings a graduate to partnership in 10-15 years, MSRP graduates could reach partnership in 5-10 years. We understand that if our graduates are predominantly women and people currently underrepresented in our industry, our program’s accelerated path to firm leadership could help change the face of the architectural profession, pushing it to look significantly more like the diversity of the communities we serve. For this reason, we have prioritized recruiting a diverse student body. Currently, our small cohort is 80% women of color.

Equity by Design’s research findings indicate that connection to senior leaders is one of the most important predictors of various attributes of success early in one’s career. MSRP students directly collaborate with senior partners and faculty experts on projects that typically focus on areas of innovation and emerging practices. From this work, students are not only networked into leadership circles, but also have the opportunity to demonstrate expertise in ways most interns are never asked to do. We believe students are capable of far more than we ask them to do in a traditional professional setting. This program provides the opportunity for students to shine.

Many strategic plans for firms and schools set goals to increase diversity and change demographics, but as the saying goes, “culture eats strategy for breakfast.” There is no easy way to achieve these goals because it’s not about changing numbers but changing culture. Culture change is hard but can be achieved with big goals and small steps. We’ve started to see this with the firms that are part of the Consortium for Research Practices, the essential base to the MSRP program. Some have developed internal interdisciplinary groups to identify research priorities, others adapted their previous practices to include more research in more areas. We’ve also seen firms shift how they communicate internally and externally about research and the work of the students.

Our program is new and growing, so measuring our broader impact is yet to come, but we believe that we provide a model linking practice with academy in order to change the culture of the industry through small projects that lead to massive change. We are impatient for the future of our industry and are doing everything we can to accelerate its arrival.

For more information about MSRP see <rp.design.umn.edu>. We have full fellowships to award by April 15; to nominate a student who has graduated or will be graduating with a B.Arch or M.Arch professional degree, please email Associate Director Andrea J. Johnson, <andreajj@umn.edu>

About our guest blog writer - 

Renée Cheng, FAIA

Professor, Associate Dean for Research and Engagement, University of Minnesota.  

Renée Cheng is a nationally renowned Professor and Associate Dean at the University of Minnesota.  Educated at Harvard College and Harvard Graduate School of Design, Cheng has been recognized for education excellence with numerous teaching awards at the school, state and national level. Most recently, Cheng was twice honored as one of the top 25 most admired design educators in the United States by Design Intelligence.  She led a team of faculty from the University of Minnesota who won the American Institute of Architects (AIA) Education Honor Award for a transformative professional curriculum and developed a professional practice course, Building Stories, that won the first Practice Leadership Award from AIA and ACSA. Cheng served as 2009 President of AIA Minnesota and is a former member of AIA National Board advisory group on Integrated Practice (IPDiG) and the AIA National Board Knowledge Committee, AIA Center for Integrated Practice and currently AIA Culture Collective leading a group on Firm Culture.

Dear Udo, You were the original Hacker.

(Reflections on Studio and the 2016 Equity by Design Hackathon at AIA Convention)

by Lilian Asperin Clyman

Back then, we used to call it ED 11B. It was commonly referred to as one of the two foundational classes of Cal’s Environmental Design curriculum.  Looking back, ED 11A taught us how to draw and ED 11B required us to learn how to communicate an authentic point of view.  My professor was Udo Greinacher, and his class had three projects: the Garden, the Personal Space, and the Earthquake Fence.  But it was what Udo shared that created in our studio the space to think, to be ourselves, to think fast and to trust in our intuition.  Our studio was an environment for us to experiment – we were the hackers and our studio was the original Hackathon.

The projects got progressively reliant on our own ideas - shaped by that influential force he made sure we paid attention to.  For the Garden project, it was the symbiotic nature between the natural and built.  He had us go out, document, reflect and express meaning through drawing. For the Personal Space project, it was understanding intimacy. Each of us interviewed a subject and designed a space for them. I always had a little bit of a hard time understanding Udo’s German accent. So when I asked him what he was passionate about, I could have sworn I heard him say “his mistress”. But in my mind, that did not stand out too much as he was also the same person who during crits would encourage us “to know the rules so that you can break them”. I proceeded to do an entire project about sensuality, light,  shadow, allure, and passion only to realize later that what he had said was that he loved “mysteries”.

Perhaps it was the third project when I felt the most vulnerable - leaning on self-reliance the most.  For the Earthquake Fence project, Udo wanted us to focus on the ultimate influential force, the present. We had all just survived the Loma Prieta Earthquake of 1989. There was no precedent we could “google” and learn about. You had to dig in, gain understanding, build your confidence and get going – all on your own. There still is no such thing as an Earthquake Fence, but all of us designed one.  We had no stated deliverables, other than to describing our process for arriving at the solution. Mine was a cardboard model with sawdust from the model shop floor, a triangular structure of welded brass tubes, and a slice of crimped aluminum metal used to “mark” the fault when dormant, and react to it dynamically when active.  The fence was one way and then completely different when affected by the force of nature – experienced in many scales, from what you can touch to what you can see from the sky. In some ways, it was a three dimensional seismograph. By far, this is my favorite project of all time.

But it was his insistence on three things that made him the original hacker: relying on your intuition, having relentless commitment, and being relevant and responsive to the world we live in. He didn’t care what we designed as long as it was evident that those three hallmarks were guiding us. For two decades after studio, I had been somewhat astounded about the infrequency of this spirit in our profession, and the compromising outcomes that result when we all stop hacking and just follow.  So during the recent AIA Convention in Philadelphia, the Equity by Design Hackathon became another modern environment for experimentation - this time exploring innovation in a team setting and focusing on how to create better experiences in our beloved profession of Architecture.

What are the parallels between Udo’s studio and the Equity by Design Hackathon experience? Here are a handful, which I hope we all pledge to adopt as habits in our everyday work:

  • Change makers are magnets.
  • Find each other. Many folks just “showed up” not knowing too much about what to expect but trusting they were at the right place to make something good.
  • Engage with your authentic self.  
  • In a setting with limited time, we don’t have time to work out of our natural strengths.  You are a better contributor when you come from the depths of your heart and mind. And we can all edit more effectively than we trust ourselves to.
  • Ask better questions.
  • Truly understand the “why”?And make it a habit to also ask “why not?”, “what if?”, and “who with?”. The more diverse your team is, the better.
  • Practice inclusivity.
  • Ironically, many teams are assembled based on availability and experience. Welcome others and when you do, give everyone the same amount of airtime.
  • Just laugh.

We are certainly still buzzing from the second Equity by Design Hackathon at the AIA Convention in Philadelphia. In the coming days, we will share with you the reflections, proposals and take-aways from all the teams. Each embraced their vulnerability and let their point of view guide them as they collaborated on envisioning more authentic, day to day experiences as Architects and new ways to shape the future of the profession.  Enjoy!



Thanks to our EQxD Hackathon Sponsors!

 

 

Why We Need To Stop Bragging About How Busy We Are

In a recent article by a similar name on Fast Company, Lisa Evans critically evaluates the “culture of busy”: the expectation of working long hours and the bragging rights that come with it.  She explains that “logging in long hours and complaining about not having any time in the day is considered a status symbol and a sign of success.” She references  Brigid Schulte’s recent book Overwhelmed: Work, Love, and Play When No One Has the Timereflects on how adjusted workplace values can positively influence a company.  By example, large organizations from The Pentagon to small start up tech companies have successfully modified the way employees and managers place quality over quantity: increasing creativity and productivity while creating a more flexible work environment.

 “In the breaks, that’s where the ‘aha moment’ comes,” says Schulte. It’s in the moments of leisure time that the brain is working to solve issues so you can begin your next burst of intense work with a renewed perspective.

“When you look at human performance science, there’s such great evidence that working all of those hours really doesn’t get you where you want to go,” says Schulte. While you may be able to work a few 60-hour weeks, eventually you will be so burnt out that you lose the ability to be creative and innovative.

For architects, the “culture of busy” begins at the university level and extends throughout our careers.  In school the culture of the “all-nighter” is rampant from the very first weeks.  The pressure to complete a perfect color wheel freshman year feels very similar to completing a flawless thesis several years later.  Many students experience the same pressure to work late by their peers, professors, and a competitive desire to do their best work.  Working long hours often feels like the best and only way to win a travel grant or fellowship.  Some professors further this culture by arriving to studios in the middle of the night for spontaneous critiques and pinups that last until dawn.  At Design firms with this culture, it is common for architects to stay late, sending a completion email to the boss well past midnight ensuring it has a timestamp. 

If an organization as large and tiered as the Pentagon can change its culture, is it possible for architectural practice to do the same? And if so, what steps can we take to support a culture that merits performance over long hours clocked in? What initiatives have been started in your office that have worked to foster change?

By Ashley Hinton